![]() Midcentury Phoenix home by Frank Lloyd Wright apprentice asks for $2. South Korea’s oldest jazz club gets a new neon-lit home Tales of the City: artist Ed Gray’s paintings of London celebrate everyday encountersĪustralia’s Journey Beyond unveils a futuristic vision for train travel Interior inspiration to kick-start your week Take a virtual tour of Svalbard’s ‘doomsday’ seed bank Rome record store Sounds Familiar is a place to ‘wile away and get lost’Īrts & Crafts Hampstead flat asks for £475,000 ![]() The Seven is a NYC jewellery store masquerading as an antique shop Scans reveal a ‘secret’ tunnel at the Great Pyramid of Gizaįemale-led design studios that should be on your radar Would you live on a cruise ship year-round for $30k? The Wing’s former New York headquarters is up for sale for $22.5mĪrtists daub the steps of Wembley Park in a joyful street mural for International Women’s Day Marion Verboom brings her sculptural columns to Brussels for her debut show in the city Leonardo da Vinci’s former Bologna apartment is for sale Stay in a Puglian castle restored by two London creatives Prices start at €424 a night for a small suite in the main house. ![]() And the gardens feature a new 70-square-metre pool surrounded by cypress and palms. Satellite spaces on the property – including an 18th-century monastery tower – offer en-suite rooms for additional guests. Guests can bang out a tune on the 1902 Beckstein grand in the piano bar. Communal spaces include two dining rooms, a bar, cinema and rooftop terrace overlooking St Elia Ridge, all decorated with artwork from B-Brown’s Adored and Adorned anthology and a carefully curated selection of contemporary painting and photography. So I have a contact as a consultant for a movie treatment of the story of the war competition.This past summer, the couple opened Elvira as a luxury residence with four bedrooms, whose en suite bathrooms include standing Rubinetti taps and carved marble tubs. They put me in a business class flight to Los Angeles. Maybe get a big agent interested in you, but you don’t expect that a big agent from Hollywood will be calling,” Locatelli says. “When you do a big story in photography you hope to win a grant to continue a project. The photographer recently signed on as a film consultant after his War Games feature ran in The New York Times Magazine. There may be a Hollywood ending waiting in the wings. Locatelli finds himself in similarly murky waters hunting for a home where he and his Indonesian wife can use their common language, English. Executives are conjuring projects like Cinecittà World, a long-delayed amusement park. The future of Italy’s cinematic powerhouse is unknown. After one year the ATM was telling me, ‘Hey, fuck off. ![]() “I was getting used to having money in my pocket and going to the ATM to get money. “It was a really hard time,” says Locatelli. That’s what happened with me and photography.”Īfter two years trying to juggle his business and his passion, Locatelli sold off the company and became a full-time photographer. ![]() “It’s not rational to choose another road but it’s not a choice. “It’s like when you are with a woman and it’s going okay but you know someone else that you can’t resist and you fall in love,” he says. As in the movies, it was love at first sight, pitting his interest in computers against his new obsession for photography. Taking a rare break from the stresses of running his tech business, he bought his first camera en route to the Amazon. Shooting on such famous ground wasn’t exactly a dream come true for Locatelli, who grew up on American TV shows like Happy Days. “They also do some developing of film but most of the business is to copy a pizza to other hundreds of pizzas.” They’re still running these film laboratories and what they do more is to copy the pizza-they call it a pizza-for projection in theaters that don’t have digital technology,” Locatelli says. After various owners were executed for treason or imprisoned by various monarchs, the castle was abandoned around 1686. Much of the lab work is churning out film prints of digital features for older theaters. The occasional big budget feature or television show and post-production work keep the doors open. The Paul Haggis feature The Third Person borrowed the set of Gangs of New York. HBO’s Rome resurrected props from classics like Ben Hur and Cleopatra. ![]()
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